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Harry Clarke and the Geneva Window

Ongoing
The Wolfsonian–FIU @ 1001 Washington Avenue

Widely regarded as his most important and controversial commission, Harry Clarke's stained-glass masterpiece, the Geneva Window, is again on view at The Wolfsonian–FIU. An internationally renowned Irish artist, Clarke was commissioned in 1926 by the newly independent Irish Free State to create a window as a gift to the League of Nations in Geneva. The completed window was, however, rejected—labeled too provocative and "unrepresentative" of the Irish people. This new installation sheds light on the life and times of Harry Clarke, the stories behind the window, and the consequences of cultural censorship.

 

Place:
5th Floor
Curator:
Lea Nickless
Credit:
Harry Clarke and the Geneva Window is organized by The Wolfsonian–FIU.
Resources:
Audio guide


Explore the Installation

 

Object Highlights

View or download the full installation checklist.

An eight-panel stained-glass window with panels depicting various mythological and pastoral scenes with human figures, vibrant colors, and elaborate details, arranged in two columns and four rows.

Stained-glass window, commissioned 1926, completed 1930 (never installed)
For the International Labor Building, League of Nations, Geneva
Harry Clarke (Irish, 1889–1931)
Clarke Studios, Dublin, maker
Stained glass, lead cames
71 1/2 x 40 in (181.6 x 101.6 cm), overall
The Wolfsonian–FIU, The Mitchell Wolfson, Jr. Collection, TD1988.34.1

Black-and-white line illustration of two elaborately dressed figures in front of a large, white moon, with intricate patterns and dramatic contrast.

Book, Faust, 1925
Harry Clarke (Irish, 1889–1931), illustrator
Johann Wolfgang von Goethe (German, 1749–1832), author
George G. Harrap & Co, London, publisher
Walter Lewis, University Press, Cambridge, printer
10 x 9 in (25.4 x 22.9 cm), closed book
The Wolfsonian–FIU, The Mitchell Wolfson, Jr. Collection, 83.2.56

Ornate metal casket with intricate knotwork patterns, gold trim, and decorative gemstones.

Casket, 1876
John R. Ryan & Co., Dublin
Bog oak, gold-plated brass, malachite, quartz, amethyst, onyx
7 x 10 x 6 1/2 in (17.8 x 25.4 x 16.5 cm)
The Wolfsonian–FIU, The Mitchell Wolfson, Jr. Collection of Decorative and Propaganda Arts, Promised Gift, WC2003.1.3.1

Framed illuminated text with ornate Celtic-style borders, featuring a central portrait, decorative symbols, and detailed text surrounded by intricate knotwork carvings on the wooden frame.

 

Illuminated address, Connradh na Gaedilge [The Gaelic League], 1906
Seághan Maicsbhell (also known as Seán Maxwell; Irish, d. 1948), illustrator
John Milligan, (Irish, 1854–1938), frame carver
Connradh na Gaedilge, Dublin, commissioner
Ink, paint, and paper in oak frame
59 x 49 in (149.9 x 124.5 cm)
The Wolfsonian–FIU, The Mitchell Wolfson, Jr. Collection of Decorative and Propaganda Arts, Promised Gift, WC2004.6.18.1

Recommended Resources

  • Nicola Gordon Bowe.  The Life and Work of Harry Clarke. Kildare, Republic of Ireland: Irish Academic Press, 1989.
  • Angela Griffith, Marguerite Helmers, and Róisín Kennedy, eds. Harry Clarke and Artistic Visions of the New Irish State. Kildare, Republic of Ireland: Irish Academic Press, 2018.
  • Marie T. Mullan. Exiled from Ireland: Harry Clarke's Geneva Window. Dublin: Mullan Publishing, 2020.

The Geneva Window Tour

A person with face in profile in a dark gallery looking closely at a stained-glass window

Uncover the secrets of the Geneva Window—its Irish origins, Harry Clarke's short and tragic life story, and the references embedded within each panel—with curator Lea Nickless.

Access the audio guide.